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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, a key member of the innovative 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently formed the innovative electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball died calmly in his sleep at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the last two years, following a spate of health issues.

"I managed to damage myself quite a bit," he commented in a recent interview. "I fractured spinal bones in my spine and cracked about five ribs and broke my arm."

Following catching a lung infection and developing blood poisoning, he was placed in an induced coma and stayed in hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the summer, as he worked on a new album with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was focused and so happy with the new album that we actually finished only a few days ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant aspect of my existence and for the songs you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is different from joining a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, together with his sibling his sister, who was also adopted.

He met Almond at an art college in the late 70s, where they were both studying art. Inspired by a mutual passion of a music genre, they established Soft Cell the very year, and quickly produced an EP.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant performer, all glitter and eye-liner; but they attained a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing Kraftwerk perform on BBC science show a popular series, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Tainted Love became the United Kingdom's second most popular song of the early 80s, selling millions of copies globally. Together with successful tracks by Gary Numan, contemporary bands and Ultravox, it helped paved the path for the synth-pop sound of the 1980s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Career Highlights

Success had its benefits. "I loved being able to afford my initial property, having financial security and travelling, which might seem like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches meant we could afford substances to alleviate the monotony" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

Amidst the party-filled existence, the duo were also drifting apart, but they managed to create a second classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

After another break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, that year.

Yet, they stayed active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the band's new album as a homage to the New York club scene they visited while making their first two albums.

He added that his time in hospital had influenced the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"Simultaneously, it's about the times we had in the 80s."

The last versions were completed only a short time before Ball died. It is due for launch in Spring 2026.

By

William Turner

A seasoned media analyst with over a decade of experience covering UK broadcasting and digital trends.

Media Daily UK

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